“Manu” Letouzé is a French-born, Brooklyn-based, freelance ‘socio-political’ cartoonist who also works as an economist for the United Nations and pursues his PhD at the University of California, Berkeley. Originally from Brittany, France, Manu moved to New York City from Hanoi, Vietnam, in 2004 to attend Columbia University as a Fulbright fellow. There, he started drawing political cartoons in English rather than in his native French, which he had previously done for several years as an editorial cartoonist while studying at Sciences Po in Paris. He is now contributing cartoons to various publications, including (in English) StuffExpatAidWorkersLike.com, a satirical blog on the world of NGOs, UN, etc., and (in French) Rue89.com, France’s leading news website, where he holds a blog. His current projects include comic strips on New York City seen through the eyes of a European, on the UN, and on the life of a father of one-year old twin girls.
This is the text of the exhibit announcement on the Invisible Dog website:
Emmanuel “Manu” Letouzé is a French-born, Brooklyn-based, freelance ‘socio-political’ cartoonist who also works as an economist for the United Nations and pursues his PhD at the University of California, Berkeley. Originally from Brittany, France, Manu moved to New York City from Hanoi, Vietnam, in 2004 to attend Columbia University as a Fulbright fellow. There, he started drawing political cartoons in English rather than in his native French, which he had previously done for several years as an editorial cartoonist while studying at Sciences Po in Paris. He is now contributing cartoons to various publications, including (in English) StuffExpatAidWorkersLike.com, a satirical blog on the world of NGOs, UN, etc., and (in French) Rue89.com, France’s leading news website, where he holds a blog. His current projects include comic strips on New York City seen through the eyes of a European, on the UN, and on the life o
In Nick van Woert: Terra Amata, an exhibition of new works, Brooklyn-based sculptor Nick van Woert borrows icons from the past, referencing the ideals of former generations, and overlaps them with more familiar contemporary materials.
The work illustrates a chronology of forms and ideas encompassing everything from classical sculpture, the Donner Party, and Henry David Thoreau, to Ted Kaczynski, Pruitt-Igoe, and 6221 Osage Avenue. The exhibition's title refers to an archaeological site in the South of France where it is believed fire was first used domestically.
This event is part of Fiction & Non-Fiction, one of Crossing the Line 2011's three curatorial program perspectives.
Free and open
to the public
