Panorama Europe 2019, the eleventh edition of the essential festival of new European cinema, co-presented by Museum of the Moving Image (MoMI) and the European Union National Institutes for Culture (EUNIC), includes a wide range of outstanding films by some of the continent’s most exciting emerging directors. The festival, which runs May 3 through 19 with a full slate at MoMI and two encore screenings at Bohemian National Hall, offers New Yorkers an overview of the current European film scene including three French language films highlighted below.

Our Struggles (Nos batailles)
SATURDAY, MAY 4, 2:00 P.M. at MoMI / New York premiere
Presented by Wallonie Bruxelles International (WBI)
Belgium/France. Dir. Guillaume Senez. 98 mins. DCP. With Romain Duris, Laure Calamy, Laetitia Dosch. Guillaume Senez confirms himself as one of Europe’s most deeply humanist directors, working in a lower-key vein than his compatriots, the Dardenne brothers. Following his acclaimed debut Keeper (about a teen boy whose soccer dreams are disrupted when his girlfriend gets pregnant), Our Struggles dramatizes the struggles of a factory manager and labor activist whose wife unexpectedly leaves him, forcing him to care for their two children. Romain Duris, one of Europe’s most magnetic actors (The Beat That My Heart Skipped, All The Money in the World), is compelling as a decent but overwhelmed man dealing with the challenges the contemporary world throws him.

3 Days in Quiberon (3 Tage in Quiberon)
With lead actress Marie Bäumer in person
SUNDAY, MAY 5, 4:30 P.M. at MoMI / New York Premiere
Presented by the Goethe-Institut New York
Germany/Austria/France. Dir. Emily Atef. 2018, 116 mins. DCP. With Marie Bäumer, Birgit Minichmayr, Charly Hübner. Actress Marie Bäumer accomplishes an amazing feat in Emily Atef’s engrossing drama about an extensive interview that Romy Schneider gave while staying at a French spa just a year before her untimely death in 1982. Bäumer captures the unique blend of magnetism, self-awareness, and vulnerability that made Schneider one of the most fascinating European stars of her time. Filmed in lush widescreen black-and-white well-suited for the setting’s gentle, windswept solitude, the film focuses on the increasingly close but wary friendship that emerges between Schneider and the journalist, while also following Schneider’s interactions with a close friend who arrives to keep her company. Further complicating the retreat is the photographer, who is an old flame of Schneider—who is haunted throughout by the recent suicide of her ex-husband, and an estrangement from her teenage son. Bäumer’s Schneider is bracingly honest, funny, and emotionally open.

SIDEBAR SCREENING
Romy Schneider in Le combat dans l'île
SUNDAY, MAY 5, 7:15 P.M. at MoMI
Dir. Alain Cavalier. France. 1962, 104 mins. 35mm. With Romy Schneider, Jean-Louis Trintignant.

Romy Schneider is at her best as the wife of an industrialist and right-wing extremist played by Jean-Louis Trintignant, in this rarely screened thriller from the height of the French New Wave. A jazzy noir that is set against the political turmoil of the early 1960s, Alan Cavalier’s film is stunningly photographed by the great Pierre Lhomme (best known for such films as Jean-Pierre Melville’s Army of Shadows and Jean Eustache’s The Mother and the Whore).

Return to Bollène (Retour à Bollène)
SUNDAY, MAY 12, 2:00 P.M. at MoMI / New York premiere
Presented by the Cultural Services of the French Embassy
France/Morocco. Dir. Saïd Hamich. 2017, 69 mins. Digital projection. With Anas El Baz, Saïd Benchnafa, Kate Colebrook. Nassim, a 30-year-old French-Moroccan man, returns from Abu Dhabi to his hometown in Southern France, with his American fiancée. But the trip offers little comfort; the failing city is now governed by the far right, the Moroccan community is isolated, and Nassim is virtually estranged from his father. Relationships and family bonds are tested. With a sure touch, Hamich draws us into a deeply absorbing series of confrontations and realizations, telling a universal story that is very much rooted in today’s political climate.

Tickets for screenings at MoMI are $15 (with discounts for seniors, students, and Museum members) and free at Bohemian National Hall. Advance tickets at MoMI are available at movingimage.us; reservations for BNH tickets may be made at www.czechcenter.com. A festival pass (good for all MoMI screenings) is available for $50.

For full lineup and schedule please visit movingimage.us/panoramaeurope2019