Elise (Marion Barbeau) thought she had a perfect life: an ideal boyfriend and a promising career as a ballet dancer. It all falls apart the day she catches him cheating on her with her stage backup; and after she suffers an injury on stage, it seems like she might not be able to dance ever again. The path to physical and emotional recovery will lead her away from Paris to a picturesque location in Brittany- where her friends, a new love and freedom of contemporary dance will help her reconnect with her father and most importantly, herself. A heartwarming and inspiring story that tells us how sometimes, the worst thing that could happen may turn out to be the best.
Directed by: Cédric Klapisch
Written by: Santiago Amigorena, Cédric Klapisch
Producers: Cédric Klapisch, Bruno Levy
Cast: Marion Barbeau, Hofesh Shecter, Denis Podalydès, Muriel Robin, Pio Marmaï, François Civil
Music by: Thomas Bangalter, Hofesh Shechter
Choreography by: Hofesh Shechter
Completely unversed in the ways of the wilderness, Antoinette forges quick bonds with an idealistic innkeeper (Marie Rivière, Eric Rohmer’s The Green Ray) and several other offbeat fellow travelers. Writer-director Caroline Vignal's delightfully mischievous second feature film is an uproarious and poignant reminder of the virtues of independence as her protagonist stumbles toward self-revelation. Besides its Best Actress win, MY DONKEY, MY LOVER & I was nominated for eight César Awards including Best Film, Best Original Screenplay and Best Supporting Actor.
Music Box Films is pleased to announce the US theatrical release of LOST ILLUSIONS, Xavier Giannoli’s sumptuous adaptation of Honoré de Balzac’s seminal 19th century Paris-set epic novel of ambition, lust, betrayal, and the birth of modern media. LOST ILLUSIONS will open on Friday, June 10 in New York (Film Forum and Film at Lincoln Center) and Los Angeles (Laemmle's Royal, Pasadena’s Playhouse and Encino’s Town Center), followed by a national expansion.
Giannoli’s deft, au courant adaptation of Honoré de Balzac’s sprawling novel of social-climbing and artistic compromise reminds us that the thorny entanglements of art, commerce, and media are centuries-old. This decadent, satirical romp that “plays with all the brio and jeopardy of a modern-day gangster movie” (Variety) is replete with both the opulence and grittiness of 19th-century Paris. Fake news and “pay for play” are familiarly pervasive, though sexier and funnier than today’s version -- and not a little soul-pricking, since the culprits are lefty journalists and a doe-eyed, underdog poet-protagonist (Benjamin Voisin). Our hero’s journey begins with a quest for love and pure art, then ascends steeply to heights of notoriety, fortune, and debauchery, and then… What goes up must come down.
Adapting Balzac’s novel for the screen had been a life-long passion project for writer-director Xavier Giannoli, whose seven other features, regularly selected for the Cannes and Venice Film Festivals, include César Award winners In the Beginning,The Singer, and Marguerite, his tragi-comedy about the socialite soprano modeled after Florence Foster Jenkins.
"Refreshing…With its stellar performances, dramatic orchestral score and rich costume and set design, LOST ILLUSIONS is a worthwhile, sweeping narrative of love, lust and literary ambition.” - Lovia Gyarkye, The Hollywood Reporter
“Director Xavier Giannoli accomplishes one of French literature's trickier feats – adapting Balzac – finding uncanny resonances with our time.” - Peter Debruge, Variety
"Period-drama perfection. Acted with such terrific panache that not enjoying it is impossible.”- Peter Bradshaw, The Guardian
One of the most singular and admired French writer-directors of the last two decades, Bruno Dumont’s award-winning body of work includes The Life of Jesus (winner of the Caméra d’Or Special Mention at the 1997 Cannes Film Festival), Humanity (winner of Cannes’ Grand Prix and Acting Awards for its two non-professional leads); the road movie Twentynine Palms, shot in Joshua Tree National Park desert (2003 Venice Film Festival); Dumont won his second Cannes Grand Prix for Flanders, followed by Hadewijch and Outside Satan, two films dealing with religion and mysticism. He cast Juliette Binoche in the biopic Camille Claudel 1915 and the comedy Slack Bay, named by Cahiers du Cinéma one of the best 10 films of 2016. Dumont’s highly popular comic miniseries Lil’ Quinquin were followed by the musical Jeannette: The Chilhood of Joan of Arc (2017 Cannes Film Festival’s Directors’ Fortnight) and Joan of Arc (winner of Special Mention at the 2019 Cannes Film Festival's Un Certain Regard). FRANCE is his 11th film.
Music Box Films is proud to announce that French director Justine Triet’s darkly comic psychodrama SIBYL, a selection of the Cannes, Toronto and New York Film Festivals, will be released in New York and Los Angeles on Friday, September 11 at Film at Lincoln Center and Laemmle's Virtual Cinemas, followed by other top markets throughout the US.
Sibyl (Virginie Efira), a jaded psychotherapist, abruptly decides to leave her practice to return to her first passion: writing. But her newest patient Margot (Adèle Exarchopoulos), a troubled up-and-coming actress, proves to be a source of inspiration that is far too tempting. Fascinated to the point of obsession, Sibyl becomes increasingly involved in Margot’s tumultuous life while negotiating her own demons.
In her second collaboration with rising star Virginie Efira, writer-director Justine Triet has created heroines of intense complexity, seamlessly intertwining past and present while maintaining a delicate balance between drama and acidic farce.
Justine Triet graduated from Paris’ École Nationale Supérieure des Beaux-Arts. Following documentary and narrative short films, she made her debut feature with La Bataille de Solférino (Age of Panic), which earned her a César nomination for Best First Film. Her second feature, In Bed with Victoria, starring Virginie Efira, opened the 2016 Cannes Critics’ Week and received five César nominations including Best Film and Best Actress. SIBYL is her third feature.
"Justine Triet's second highly pleasurable collaboration with actress Virginie Efira is a witty, slinky psychodrama… Seals the arrival of Efira … A first-class leading lady of consistently expanding range and élan — with the emotional honesty and deadpan pluck to pull off the more outrageous character turns." - Guy Lodge, Variety
For more information about Virtual Cinemas please visit:
https://www.musicboxfilms.com/film/sibyl/
https://www.filmlinc.org/films/sibyl/
https://www.laemmle.com/film/sibyl
Film Movement is proud to announce the release of THE WILD GOOSE LAKE, Chinese director Diao Yinan’s electrifying, gritty Chinese noir thriller opening on Friday, March 6th, 2020 at New York’s Film Forum followed by a national roll out.
Set in the nooks and crannies of densely populated Wuhan in central China, the film’s sensibility manages to be both elegant and down-and-dirty. It follows the desperate attempts of small-time mob boss Zhou Zenong (the charismatic Hu Ge) to stay alive after he mistakenly kills a cop and a dead-or-alive reward is put on his head. Director Diao (UNIFORM; NIGHT TRAIN; BLACK COAL, THIN ICE) proves his action bona fides in a series of stylized set pieces and violent shocks as a romance forms between Zhou and a mysterious young woman (Gwei Lun-mei) who’s out to either help or betray him. Diao deftly keeps multiple characters and chronologies spinning, while examining social change in contemporary China. Chaotic and nocturnal, THE WILD GOOSE LAKE is punctuated by long pursuits and stunningly choreographed gang fights, in a filmic geometry of arresting beauty and originality.
Diao Yinan was born in Xi'an, China, and studied dramatic literature at the Central Academy of Drama in Beijing. He has directed the features Uniform, Night Train, and Black Coal, Thin Ice. THE WILD GOOSE LAKE is a box office sensation in China, having grossed $23 million in its first week of release. French Academy Award winning producer Alexandre Mallet-Guy also served as co-producer on the film.
"Diao Yinan delivers a definitive Chinese crime noir, in which the ravishing style and inventive staging form the substance. Staged and executed with...slick, dark dazzle. Reteaming with cinematographer Dong Jinsong, Diao shows an extraordinarily elastic mastery of form. THE WILD GOOSE LAKE is like an organic feature of the Chinese cinematic landscape, as though it pooled onto the screen in all its oily, murky glory, having welled up from deep inside the ground. Suddenly, China feels like the noirest place on Earth.” — Jessica Kiang, Variety