Events

The Now, the first featured art presentation at Coolture Impact, the largest interactive public art platform on the windows of the Port Authority Bus Terminal in Times Square, offers a journey into magical worlds, intertwining reality and fantasy, opening doors to hidden places and participatory environments. The Now explores transitory spaces and unseen parallel realities, in a cinematic voyage to visually striking realms, live painting, and animated characters with evolving narratives. Visitors are invited to walk, move and unravel the different storylines.

The Now was created by filmmakers and video artists Laia Cabrera and Isabelle Duverger (Laia Cabrera & Co) through video art, animation, video mapping and interactivity. Interactivity is provided by designers Lorne Covington and Bill Saiff (NoirFlux) and immersive experience developer Karan Parikh.

About Coolture Impact

At the edge of new digital frontiers, Coolture Impact is an incubator that explores and exploits new technologies,

Cohen Media Group is proud to announce the release of Claude Lanzmann's final documentary SHOAH: FOUR SISTERS, a selection of the Cannes and New York Film Festivals, scheduled to open in New York on Wednesday, November 14 at The Quad Cinema followed by a national roll out. Composed of four segments, The Hippocratic Oath, The Merry Flea, Noah’s Ark, and Baluty, SHOAH: FOUR SISTERS will be released theatrically in two parts.

Starting in 1999, Claude Lanzmann made several films that could be considered satellites of SHOAH, comprised of interviews conducted in the 1970s that did not make it into the final, monumental work. In the last years of the director’s life, he decided to devote a film to four women from four different areas of Eastern Europe with four different destinies, each finding herself improbably alive after war’s end: Ruth Elias from Ostravia, Czechoslovakia (The Hippocratic Oath); Paula Biren from Lodz, Poland (Baluty); Ada Lichtman from further south in Krakow (The Merry F

Józef Czapski (1896–1993) lived many lives during his ninety-six years: student in Saint Petersburg during the Russian Revolution, painter in Paris in the roaring twenties, Polish reserve officer fighting the invading Nazis at the onset of World War II. When taken prisoner of war in a Soviet camp, and with nothing but memory to go on, he brought Marcel Proust’s In Search of Lost Time to life for an audience of prison inmates. In a series of lectures, Czapski described the arc and import of Proust’s masterpiece, sketched major and minor characters in striking detail, and movingly evoked the work’s originality, depth, and beauty. Eric Karpeles has translated this remarkable feat of the critical imagination into English in addition to authoring the first biography of this towering figure. Anka Muhlstein joins Karpeles in a conversation about this singular project and astoundingly complex figure.

ERIC KARPELES
Painter, writer; author of Paintings in Proust; Almost Nothing: The 20th-Century

FREE COMEDY SHOW