Writer-director Lorraine Lévy’s THE OTHER SON, is a moving and provocative tale – filmed in Israel and the West Bank - of two young men – one Israeli, the other Palestinian, who discover they were accidentally switched at birth, and the complex repercussions on themselves and their respective families.

Joseph (Jules Sitruk), an 18-year-old musician preparing to join the Israeli army for his mandatory military service, lives at home in a comfortable suburb of Tel Aviv with his parents, France-born physician Orith (Emmanuelle Devos) and Israel-born army commander Alon Silbers (Pascal Elbé). A blood test for Joseph’s military service reveals that he is not their biological son; during the Gulf War Joseph was evacuated from a clinic along with another baby; both were given back to the wrong families. While the Palestinian Joseph went to Tel Aviv with the Silbers, their actual Jewish son, Yacine (Medhi Dehbi) was brought to the West Bank by the Arab couple, Said (Khalifa Natour) and Leila (

NEW YORK, NY – Chelsea’s Agora Gallery will feature the original work of French artist, Veronique Forest in Altered States of Reality. The exhibition is scheduled to run from November 1 through November 21, 2012. The opening reception will be held on Thursday night, November 8, 2012 from 6-8 pm

About the Artist

With fresh angles and edges, abstracted yet eloquently tangible, French artist Veronique Forest photographs spaces and subjects with a zealous enthusiasm for movement and emotion. Trained as a dancer, Forest takes inspiration from the multitudes of gestures and motions that exist within the space of a dancer’s stage. Passionate in her tenacious search for novel and original moments to capture on photographic film, the artist has steadfastly trained her eye and technique through practice behind the camera. Sharp lines form abstracted, graceful gesticulations, while a metallic palette imbues a sparkling brilliance in these works. “As a dancer and photographer, I look through my pho

GARCIN, journalist, INÈS, employee of Post and ESTELLE, a wealthy socialite, are led into hell. Hell is disarming since no torture, no executioner awaits them. It is a room, simply, in which they learn about themselves.

Jean-Paul Sartre describes his "hell" as other people. Those who are watching us, judging us, keep us awake. Forever our three characters are forced to live together and to torture in turn. Their hell gradually takes shape before their eyes as they reveal their lives and their tastes and cowardice.

The New Stage Theatre Company updates Arrabal's tale of Lais' dazzling and bizarre journey in this mesmeric production directed by Ildiko Nemeth, with video projection designers Laia Cabrera and Isabelle Duverger. Through a carefully crafted imaginary, the play depict some of the ways that today's culture - celebrity-obsessed to an unprecedented degree - and the preponderance of certain primal behaviors within that culture, may inform the audience's interpretation of Arrabal's premise.

Garden of Delights showcases the vivid and surrealist imagination of controversial Spanish playwright Fernando Arrabal, whose work explores complicated themes of sexuality, violence, good, and evil. Lais, a celebrated but troubled actress, fields calls from a live studio audience while ensconced in her palatial home. The lines between reality, dream and memory are blurred as Lais interacts with figures from her past and with Zenon, an ape-like beast that she keeps in a cage but cannot quite control.

NS